The marionette’s body shouldn’t be abandoned confined itself to hang from the threads, not should spill itself dragging clumsy on the carpet.

Between the marionette as an object and the marionette as a subject is where the operator should be placed. He’s work is to create the transition bridge over the vacuum that separates both concepts. It should generate and absorb, simultaneously, the kinetic energy of which its character is nourished, without breaking any of its gravity’s line axes: only in this way she will be able to have the leading role by herself, from the life that is given to her.